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Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Saturday, September 6, 2014

E A T : Roasted Tomato Pasta Sauce


The smell of tomatoes cooking in the kitchen always stirs up a longing in me. It brings me back to the basement kitchen of my youth, the extra kitchen that my grandma Bernadine had built in her home so she could can and preserve to her heart's content without having to dirty her upstairs kitchen. My grandmother barely got to enjoy the space in  her home before breast cancer claimed her life in 1985, but the kitchen has been loved and used by my own parents. My Mom spent hours canning peaches in syrup. She has stewed countless tomatoes, made many batches of salsa, dried many fruits and vegetables, and frozen green beans, asparagus, and peas so we could enjoy them for the winter. She made pickles and jam. She froze strawberries and raspberries. My whole family would freeze a huge batch of sweet corn every year in July or August, which brought us all into the canning kitchen together. My brother and I would shuck and remove the silk from the corn outdoors, he would carry it downstairs in batches, and Mom would cook it, while Dad removed the corn from the ear, and eventually my brother and I stuffed it into freezer bags so we could preserve the harvest all year long.


When I was in college I 'remodeled' the canning kitchen, painting the cupboards and walls white, scraping off the old linoleum, and imagining my grandmother within its walls.

Despite the fact I've had the pleasure of knowing and loving my maternal grandma Pearl my whole life, there has always been a part of me that laments the fact that I never got to know my grandma Bernadine. Was she the constant flurry of activity that my parents always tell me about? Did she laugh easily and yell at the top of her lungs like the rest of the Kruses?

I have little glimpses of her, snippets and relics of her life. A recipe clipped from the newspaper with her handwritten notes, pieces of notebook paper where she scrawled a cake or frosting recipe from someone at church. I'm told that my grandmother baked a cake every weekend. And now I cook with an apron made from seed sacks that she packed away for some purpose unknown. I cook with an assortment of jars, mostly my Mom's, but some grandma Bernadine's. These are ultimately just things, but there is something about these relics that makes them special to me. This is why I am preoccupied with the old so much more than the new; this is why I love objects that have stories to tell.


So many people's eyebrows raise in surprise when I tell them I like to can. Some remark that it is interesting that someone so young is interested in a tradition so antiquated. Some tell me that it is too much work. I will agree that it does take time, but I submit that it is time well spent. In all of our pushing forward to accomplish our goals and create our own traditions, it is easy to look back and think that people in my grandmother's generation had more time. After all, they didn't have cell phones to distract them, social media accounts to update, computers everywhere, and countless episodes to catch up on at the DVR. My grandmother worked in her home, so some might say that she had more time to do these things. I reject that line of thinking. The list of tasks that my grandma faced daily was large, and at times I am sure it felt insurmountable. She was the caretaker of the home, the woman who got things done. She had hundreds of chickens. Eggs to wash, pack, and sell. Huge amounts of laundry to do, food to make, and gatherings to cook for, children to raise, and a husband to care for. She wasn't all that different from the busiest woman today.


While it is easier and definitely less time consuming to buy a can of Prego from the grocery store, what story does that can tell? The only story that Prego tells is what the advertising and marketing firms want us to see. When I pull a jar off of the shelf that was crafted by my own hands, it tells a real story. The story begins with me putting the tomato seed in the soil to nurturing the plant, to gifting some of these plants to my parents, and then I inevitably end up with more fresh tomatoes than I can eat from my parents' and my own garden. So I take the few hours to make those tomatoes into something that tastes wonderful and I spoon them into jars and preserve them for all of the months were I don't have access to tomatoes like that. Through this ritual, the act of fellowship and thanksgiving that happens around my table transforms. My act of thankfulness in consuming the food is transformed. It isn't just the freshness, the satisfaction of the work that went into the fruit, or even the knowledge that everything in that jar is whole and fresh. It is the passing down of a tradition--a turning over of ourselves and our trust to the earth, seeing the provision, picking the fruit, and making something beautiful and nourishing from it. And the ability to put this on the table and fellowship over a meal is filled with layers of meaning. To some, it's just dinner. But our food tells layers of stories about us and where we come from.

Because my mother took the time to pass on this tradition of canning to me, I have the ability to partake in this act of Thanksgiving for what has been provided by God for myself and my own family. I have the privilege of participating in a moment that draws me inward toward this human experience of grateful storytelling. And when I'm handling the old mason jars, wearing my seed-sack apron, and putting the summer's gifts on the shelf for those cold winter nights, I am able to know a small part of the grandmother that I never got to know, and that is beautiful.



Roasted Tomato Pasta Sauce
makes 5 quarts or 10 pints

This recipe was adapted from various sources by my Mother, and passed on to me.

10-15 lbs ripe tomatoes, any variety
4 green bell peppers
4 red onions
3-4 heads of garlic
Salt & pepper
Good quality olive oil
Fresh herbs (I used basil, German thyme, lemon thyme, winter savory, hot and spicy oregano, and Italian parsley)

Coat baking sheets with olive oil. It may be necessary for you to do the roasting in two batches, depending upon the size of your oven.

Wash and halve the tomatoes, coring them. Put them cut side down on baking sheets. If using cherry tomatoes, put them on the sheet whole.

Quarter onions, cut the green peppers into eighths, and remove skins from whole garlic cloves. Place on cookie sheets with tomatoes. Coat everything with a healthy drizzle of extra virgin olive oil. Sprinkle with salt (I used coarse kosher) and freshly ground black pepper. Add herbs. Toss to coat. Roast in a 350 degree pan for one hour. Return to the oven and rotate. Roast for another hour, or until juices that have run out of the tomatoes are beginning to caramelize and tomatoes are beginning to look charred and wrinkled.

Allow tomato mixture to cool, and then scoop into the bowl of a food processor or blender, skins and all! Pulse until desired consistency is reached.

Pack into sterilized jars, leaving at least 1/4 headspace. Process in a boiling water bath for 35 to 40 minutes, or can in the oven as described below. Remove jars and cool. Check for seal after 24 hours. Lids should not flex up and down when center is pressed.

NOTES:
This is a very flexible recipe. Switch up the amount of tomatoes vs. peppers and onions, use other varieties of peppers and onions or other herbs and seasonings if you want to. Some flavor ideas: replace the salt with hickory smoked salt, or toss in a couple of teaspoons of crushed red pepper. Add zucchini or other vegetables to give the sauce extra flavor. 


Oven Canning
This is how I can all of my salsa and stewed tomatoes. This is a recipe from an old church cookbook, and I want to clearly disclaim that oven canning is actually a rather controversial way of canning. There is a lot of debate about whether this really kills all of the bacteria, and there is some danger of breaking jars due to the dry heat of an oven. HOWEVER, I have canned this way and never had trouble and never have I broken a jar, while I've boiling water canned and broken several jars. I've done a lot of reading, and due to the temperature I use and the manner in which I pack the jars, I feel that it is safe for me.

Method
Place jars on a cookie sheet in COLD oven. Set oven temperature to 275 degrees, and leave the oven on for one hour. Turn oven off and leave jars in oven until COMPLETELY COOL without opening the door. It is ideal to do this and leave the jars in the oven overnight. Check for seals when removed from the oven. Lids should not flex up and down when center is pressed. If you have any jars that did not seal, place sauce in the fridge and use immediately, or freeze.




Tuesday, July 22, 2014

SHOOT | Monnie, Scott, Rachel, Chris, and Meg

I get a session every once in awhile that is life-changing, and that's how I feel about getting to photograph Monnie and her family. You see, Monnie is a cancer survivor with an amazing story. Hers is a miracle that I rejoiced in getting a part of telling. The day before our session, Monnie found out her cancer is in remission - this after she has been given the news that her cancer is terminal, multiple times. 

A friend of mine from Indiana has been battling cancer for some time, and she is quite young (not even 30 yet). She was recently given the sad news that her cancer is terminal, and that she might have less than six months to live. I've been caught in that tension of prayer for healing and prayer for peace. Hope and hopelessness. I can only imagine how she feels, the mother of two young children, and wife to a wonderful man. It isn't fair. 

But to see here God's provision was a like a light of hope in the darkness. To see her wonderful family getting to laugh with her, to smile with her, to embrace her, was a blessing. It is important for me to remember that God's provision does not always include healing in this life. But how wonderful to rejoice in the miracle of healing!

Monnie, I was particularly touched by your strength and beauty. It radiates from you - what a privilege to capture it!

Monnie, Scott, Rachel, Chris, and Meg - thank you all from the bottom of my hearts for giving me the opportunity to document you at this joyful time in your lives!




























Happy Tuesday, brave friends!

Wednesday, July 2, 2014

D I Y: Painted Backdrops for Studio Photography



I've loved shooting with backdrops since the start of my business, but I have yet to buy one. Most of my backdrops have been fabric. When I was just starting, I used the incredibly high-tech method of using pushpins to pin my fabric onto a bulletin board. Eventually I got my own studio and graduated to a more legitimate backdrop setup when I sewed my own casings to slide onto a premade backdrop stand. I store my backdrops rolled up on PVC to keep them wrinkle free, and it works wonderfully for me!

It wasn't until I discovered Oliphant Studio that I began to lust after a textured, painted backdrop. Oliphant's backrops are without equal, and for that reason they are expensive. If you are an established photographer, a backdrop like this is an awesome investment. I'm still in the early stages of my business, and I love making things, so I figured rather than buy a backdrop for around $1000-$2000 or rent one for $400-500, it was worth it to try and make my own. 

Enter the DIY! I bought a 3.5 yard stretch of canvas material from the craft store with a coupon for $20. It was 45 wide, making it almost 4 ft by 10.5 ft. With my operatic background, I've known folks who have worked in theatrical paint shops (my husband included). I knew the best paint to use would be that made for theatrical/scenic purposes, but after some research, decided the price point wasn't practical for this experiment. So, I read about some alternatives and ended up going with flat latex paint, which I thinned slightly (NOT that much) with water. You don't want to go overboard with your mixing ratios, or you'll mess with the ability of the paint to adhere to the surface. My main focus in adding water was to make the paint more flexible (and therefore less likely to crack), which was advice from a scenic designer & painter of 20+ years.

Materials needed:
3.5 yards Canvas or Muslin (I used raw canvas, purchased in the fabric section, 45" wide)
1 gallon latex paint (in a mid-range color)
Rollers
Paint pans
Plastic dropcloth
Brushes
(See below! I had to buy more materials to get the look I wanted)


In keeping with my budget, I opted for an inexpensive latex paint, at just $12/gallon. I only used about half this gallon of paint for this project.



Before I started, I steamed the wrinkles out of the cloth as best I could. You could also iron it and even prewash the fabric. I chose not to prewash.


I used the roller to apply a fairly thick coat of paint. I only needed one coat for good coverage.


After that part of the project, the steepest learning curve came in. I originally bought two colors of latex paint thinking I'd be able to create texture with just two colors. I was wrong! First, it was incredibly hard to get that soft, airbrushed look I was going for with dry brushes and with a dry-brush technique, the lines from my wood-plank floor were showing up. I hated it. It had kind of a neat chalky effect, but it really wasn't what I was going for. I also realized I was in desperate need of a darker color to create depth and to mix mid-tones. So I had to paint over it and start over with texture.


 



I took a trip back to the craft store and decided I'd take a stab at mixing deeper colors and making my own acrylic spraypaint.  

Second list of materials:
Acrylic artist's paint in a variety of colors (pictured: raw umber, primary yellow, primary magenta (red), primary cyan (blue), raw sienna, and white)
Spray bottles (the smaller ones worked best)
Airbrush medium



I mixed up a cocktail of paint, a little bit of water, and a little bit of airbrush medium. I can't give exact ratios, because it was honestly different each time. I ended up with a different color each time I mixed, too, which gave my backdrop more depth. I mostly used raw umber, raw sienna, and white, with a little blue and yellow mixed in for coolness because I got a gray-green base.


In the early stages - way more depth! I feathered the "spray paint" & splatters with a dry brush as I went and as I desired.



I added several rounds of different dark and light colors to create an uneven, more stone-like texture.
It isn't perfect (it isn't mean to be) and I love it! It came out looking just as I wanted it to! I store it rolled up, as that is the best way to prevent cracking and keep it looking its best.

Below, see a few shots of the backdrop in action. These were shot outdoors on an incredibly windy day. The backdrop is easier to work with indoors, where I can stretch it more easily on my background frame, but in this shoot I liked some of the wrinkles and textures created.






Total cost of this project: $50-80, depending on the painting supplies you already have at home. I'll be painting many more of these!

If any of you are considering painting your own backdrops or have done so in the past, I would love to hear from you! If I can answer any questions I'd love to do that too. Have an excellent day, brave friends!